Risen – a Review
Ever
since Saving Private Ryan, it seems that movies which want to say much (whether
it’s about bonds of brotherhood in war time or seeking revenge, as with The
Revenant) are designed to catch your attention right away with a splashy,
gritty battle scene. Risen follows the same formula, opening with a
well-researched battle sequence pitting a small Roman detachment against
under-armed, zealous Jewish freedom-fighters. It’s ferocious and predictable,
and it makes first-century Judea look like a bloody, chaotic environment filled
with unrest and violence. That impression is completely correct.
In
fact, the overbearing Roman presence within Risen is one of its strengths. Not many
Christians today realize just how many Roman crosses were erected around Jesus’
time in his country; thousands – possibly tens of thousands – of Jews were put
to death upon Rome’s ultimate symbol of victory.
So
when the crucifixion of Jesus of Nazareth imposes itself on the attention of
the main character (Clavius, a tough and intelligent Roman commander played
reliably by Joseph Fiennes) it seems at first like just another quick
mopping-up operation, one execution out of many, another body to add to the
ever-growing heap of bodies just outside the city gates.
Clavius
finds army life unfulfilling, but sees it as a necessary stepping stone to a
peaceful retirement. Naturally then he feels both duty-bound and put out when
he not only needs to oversee what essentially amounts to body disposal duties
at the tail-end of a crucifixion, but also actual guard duty over a man who
obviously, absurdly is not in any
kind of shape to get up and make a break for it.
So
once the guards at the tomb turn up missing, along with the body of Jesus,
Clavius is ordered to go out and locate the body. Much of the first half of the
movie is taken up with the increasingly gruesome search for Jesus among freshly
dead corpses. Jesus’ followers are hunted down and dragged in for interrogation.
Crisp, militant discussions ensue between Pilate, Clavius and his assistant. It
all has the feeling of a Law & Order period piece (which is one of the
reasons I enjoyed it so much).
Then
(SPOILER ALERT) about half-way through, I got hit with a twist that was almost
as surprising for me as it seems to have been for Clavius. Following up on a
lead, he arrives at a non-descript house, inches the door open with his sword
and comes face to face with Jesus, now clearly alive and flaunting the scars
from his ordeal but none the worse for having been crucified not long before.
What
follows from that point is essentially a completely different movie. Instead of
seeing what Jesus’ resurrection might have looked like to an outsider, we get
to see some of Jesus’ disciples up close and personal, going through the most
tender and intimate moments they experienced with Christ before his ascension.
Christ’s invitation to Thomas; Peter splashing up the shore to meet his Savior;
Mary Magdalene’s vindication as a witness. And in the middle of it all, Clavius
the Roman commander, guest-disciple, whose presence surely would have been
mentioned if he’d really been there.
Ironically,
for me the real force of the story actually diminished
the moment Jesus turned up on screen. See, I had been under the impression that
it was going to be a story about a true outsider confronting the evidence,
processing it with all the intellectual tools of a rigorous thinker, and eventually
reaching a moment of decision where he realizes that belief had somehow come to
life within his own soul through an organic, spiritual process we call faith. Instead I got Saul of Tarsus,
redux.
What
convinced Clavius? It wasn’t the disciples’ testimonies, or their willingness
to stick to their story in spite of threats and torture. It wasn’t the
persistent, inexplicable absence of a body. It wasn’t the magnitude of the
first-hand accounts or even the gibbering, incoherent memories of the guards at
the tomb. It was direct eyewitness evidence. In short, I expected to see
Clavius in the part of a juror, weighing the evidence and slowly becoming
convinced. Instead I got to see what the star witness was seeing as he saw it. No
wonder he believed.
You
might ask why that makes it less powerful. Surely seeing Jesus with your own
eyes is the most powerful proof of all? It would be, I suppose. But my answer
is that I didn’t want Clavius to go through the same experience as Thomas or
Peter, or even the apostle Paul. I wanted him to go through my experience. I wanted him to have to
believe the impossible without having
seen it for himself. I wanted him to fulfill the soft rebuke Jesus offered to
Thomas at that moment; “Blessed are those who have not seen, and yet believe.”
In one
sense, anybody could believe something they’ve seen with their own eyes. Adding
one more fictional eyewitness to an already long list of real eyewitnesses does
nothing to strengthen Jesus’ case. Giving people who already believe in Jesus
another pleasant cinematic voyage through part of his life is a harmless
diversion, and for some people it may even be a moving experience. But I can’t
imagine that it will have any effect whatsoever on someone who starts out as a
sceptic. It’s a two-hour action-adventure-detective story for Christians. True,
that’s not a bad way to spend an afternoon, but in the grand scheme it's unlikely to make a dent.